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        <Text language="eng" textformat="05">The articles in this volume seek to shed new light on frequently overlooked archaisms and acts of spoliation. This book is about ideas, style, and material objects, their reuse and repurposing in the Eastern Roman Empire and after its end in 1453.&lt;br/&gt;In the absence of textual evidence, art historians and archaeologists often rely on dating artifacts based on an assumed linear development of artistic styles, visual or paleographic forms. This modern predisposition has long hampered our understanding of how people used and referenced the past through stylistic and material spoliation.&lt;br/&gt;The long-standing interest of art historians and archaeologists in spolia resonates with and informs the more recent scholarly focus on cultural heritage. At their core, both spolia and heritage are about acts and processes of the transformation of material and meaning. Cultural heritage studies do not ask what something signified at the moment of inception, but rather how objects and ideas were reshaped, reused, and reinterpreted over time. Spolia – reused and reworked fragments from the past – are material expressions of these same categories and manifestations of transformations over time. Both spolia and heritage trace how the relationship between the past and the present was continually negotiated, how the past was used.</Text>
        <Text language="ger" textformat="05">Dieses Buch handelt von Ideen, Stil und materiellen Objekten, ihrer Wiederverwendung und Umfunktionierung im Oströmischen Reich und nach dessen Ende im Jahr 1453. &lt;br/&gt;In Ermangelung schriftlicher Zeugnisse datieren Kunsthistoriker:innen und Archäolog:innen Artefakte häufig, indem eine zielgerichtete, lineare Entwicklung künstlerischer Stile, visueller oder paläografischer Formen vorausgesetzt wird. Doch dieses Vorgehen verschleiert Rückgriffe und Wiederverwendungen und hat lange Zeit unser Verständnis davon behindert, wie Menschen die Vergangenheit benutzt und referenziert haben. Daher nehmen die Beiträge in diesem Band die von der Wissenschaft häufig übersehenen Archaismen und Spoliierungsprozesse in den Blick.&lt;br/&gt;Das langjährige Interesse der Kunstgeschichte und Archäologie an Spolien besteht bisher losgelöst von aktuellen Kulturerbedebatten in den Geisteswissenschaften. Doch im Kern geht es sowohl bei Spolien als auch beim Kulturerbe um Handlungen und Prozesse der Transformation von Materie und Bedeutung. Kulturerbestudien fragen nicht, was etwas zum Zeitpunkt seiner Entstehung bedeutete, sondern wie Objekte und Ideen im Laufe der Zeit umgestaltet, wiederverwendet und neu interpretiert wurden. Spolien – wiederverwendete und überarbeitete Fragmente aus der Vergangenheit – sind materielle Ausdrucksformen derselben Kategorien und Manifestationen von Veränderungen im Laufe der Zeit. Sowohl Spolien als auch Kulturerbe zeigen, wie die Beziehung zwischen Vergangenheit und Gegenwart kontinuierlich ausgehandelt wurde, wie die Vergangenheit genutzt wurde.</Text>
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