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      <Text language="eng">Contents&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;Preface  &lt;br/&gt;&lt;br/&gt;Note on Style and Transliteration &lt;br/&gt;&lt;br/&gt;Introduction:&lt;br/&gt;A Survival Aesthetic for Ongoing War &lt;br/&gt;&lt;br/&gt;Part One &#x2013; Modern Crises&lt;br/&gt;&lt;br/&gt;Christophe Ippolito (Carlisle, Pennsylvania)&lt;br/&gt;Naguib Mahfouz&#x2019;s Alexandria: Oblivion and Remembrance &lt;br/&gt;&lt;br/&gt;Gil Zehava Hochberg (Los Angeles)&lt;br/&gt;&#x201C;The Dispossession of Hebrew&#x201D;: &lt;br/&gt;Anton Shammas&#x2019;s Arabesques and the Cultural Space of Language &lt;br/&gt;&lt;br/&gt;Elisabeth Vauthier (Nantes)&lt;br/&gt;La Ville entre m&#xE9;moire et rupture dans la litt&#xE9;rature syrienne &lt;br/&gt;&lt;br/&gt;Samira Aghacy (Beirut)&lt;br/&gt;Domestic Spaces in Lebanese War Fiction: Entrapment or Liberation? &lt;br/&gt;&lt;br/&gt;Ken Seigneurie (Beirut)&lt;br/&gt;The Everyday World of War in Hassan Daoud&#x2019;s House of Mathilde &lt;br/&gt;&lt;br/&gt;Paul Starkey (Durham, U.K.)&lt;br/&gt;Crisis and Memory in Rashid al-Daif&#x2019;s Dear Mr Kawabata: &lt;br/&gt;An Essay in Narrative Disorder &lt;br/&gt; &lt;br/&gt;Part Two &#x2013; Memory and Homeland&lt;br/&gt;&lt;br/&gt;Todd Hasak-Lowy (Gainesville, Florida)&lt;br/&gt;Thesis, Antithesis, Thesis: &lt;br/&gt;Nature in S. Yizhar&#x2019;s War of Independence Stories &lt;br/&gt;&lt;br/&gt;Sobhi Boustani (Lille)&lt;br/&gt;Terre natale et paysages urbains dans le roman palestinien:&lt;br/&gt;Essai sur les &#x153;uvres de Ghassan Kanafani et Emile Habibi &lt;br/&gt;&lt;br/&gt;Juliane Hammer (Washington, D.C.)&lt;br/&gt;A Crisis of Memory: &lt;br/&gt;Homeland and Exile in Contemporary Palestinian Memoirs &lt;br/&gt;&lt;br/&gt;Richard van Leeuwen (Amsterdam)&lt;br/&gt;A Journey to Reality: Mourid Barghouti&#x2019;s I Saw Ramallah &lt;br/&gt;&lt;br/&gt;Abir Hamdar (Beirut) &lt;br/&gt;Exile, Home and Identity: &lt;br/&gt;Constructing Alternative Spaces in The Homeland by Hamida Nana &lt;br/&gt;&lt;br/&gt;Susanne Enderwitz (Heidelberg)&lt;br/&gt;&#x201C;Home&#x201D; in Palestinian Autobiographies &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;Contributors &lt;br/&gt;&lt;br/&gt;Index  &lt;br/&gt;&lt;br/&gt; &lt;br/&gt;&lt;br/&gt;&lt;br/&gt; &lt;br/&gt;Preface&lt;br/&gt;&lt;br/&gt;A word is in order about the words in our title. &#x201C;Levantine&#x201D; gets the nod over &#x201C;Middle&#x201D; or &#x201C;Near Eastern,&#x201D; &#x201C;West Asian&#x201D; and &#x201C;Mashrek&#x201D; as each of these terms encompass too much territory: Turkey, Iraq, the Persian Gulf states are beyond our purview. Bil&#x101;d al-Sh&#x101;m would work except that it is not generally understood by non-Arabic speakers and therefore would undermine the book&#x2019;s objective, which is to coax readers into the stream of Levantine literature. Nor, to be sure, is &#x201C;Levant&#x201D; the perfect term since it evokes a bygone horizon stretching from Izmir to Alexandria. Yet Levant it is and for a couple of reasons. The term refers not only to the eastern littoral of the Mediterranean, but also allusively to the region&#x2019;s actual and &#x201C;orientalized&#x201D; complexity. Perhaps the following essays devoted to self-representations of the Levant will build new meanings into this old word. &lt;br/&gt;&lt;br/&gt;The terms &#x201C;modern&#x201D; and &#x201C;crisis&#x201D; go together in the Levant as elsewhere, only more so. The fictions and memoirs studied here follow modernity&#x2019;s ideologies, gender troubles and culture clashes as these intersect with crisis in the Levant. The texts intervene in another of this book&#x2019;s key concepts, &#x201C;memory.&#x201D; Whether they bid to build it, or rescue it from erasure, or save it from opportunistic manipulations, none of the narratives studied here are indifferent to memory. There can be no forgetfulness or escape for this literature. &lt;br/&gt;&lt;br/&gt;&#x201C;Space,&#x201D; as the ultimate stake in modern Levantine crises and memory, would seem to be the ground upon which everything else rests. Indeed, the contributors to this book have studied how fictions and memoirs relate to spaces, actual and virtual. Yet memory can also trump space, as Lebanese architect and urban planner, Jad Tabet, pointed out in a recent interview about Beirut&#x2019;s post-war development project: &lt;br/&gt;&lt;br/&gt;In one way or another, they wanted to erase the notion that a war had occurred there and erase also the memory of this ancient city that had spawned it. It is a way of beginning from ground zero, a way of reinvoking the myth of the Phoenix who is reborn from its own ashes but who is reborn with all his wings shimmering. But memory resists and memory cannot be erased like that. What is very dangerous is that the return of the repressed can sometimes be catastrophic. We know it in Lebanon and we know it everywhere. &lt;br/&gt;&lt;br/&gt;Space is not only gravid with meanings that condition memory; memory too bears meanings that in turn condition spaces. The contributors to this volume focus on this interplay in the final key word in our title, &#x201C;narrative.&#x201D; As a way of knowing, narrative (from gn&#x101;rus, &#x201C;knowing&#x201D;) links memory and space. Yet, as mere strings of signs standing for persons, things and events, and leading to a point that is foisted upon the whole, narrative knowledge can never be more than contingent. The august function of narrative and its simultaneous fragility, are reasons why so much energy is lavished on controlling it. This book is devoted to understanding the techniques used to build and inflect narrative in its various forms from memoir and autobiography to the novel. &lt;br/&gt;&lt;br/&gt;As for the production process of this book itself, if ever I doubted the weight of social space, this project has made a believer of me. In consulting books of similar scope, I was impressed by the rigorous method Oxford-based Robin Ostle displays in his short foreword to Modern Literature in the Near and Middle East: 1850-1970, and by the firm grasp of history Paris-based Boutros Hallaq displays in his presentation of La Po&#xE9;tique de l&#x2019;espace dans la litt&#xE9;rature arabe moderne. From the other side of the Atlantic, Brown University&#x2019;s Kamal Abdel-Malek and David C. Jacobson are equally impressive for their sensible, even-handed preface to their Israeli and Palestinian Identities in History and Literature. I confess to having tried to follow the unpoliticized rigor and warmth of these books, but connections between scholarship and political controversy that may be implicit elsewhere are often manifest in Beirut, and this is not always a bad thing. Issues that appear cut-and-dried elsewhere throb with controversy in Beirut. This book is born of such debate and to this extent, it is a child of the city. &lt;br/&gt;&lt;br/&gt;Soon after this book was proposed, numerous objections were bruited, among them that it deals with only narrative in Arabic and Hebrew, having left out other Levantine languages such as Armenian and Turkish. Even within its scope, the book also neglects or under-represents numerous areas and authors. These choices reflect the interests of those who chose to contribute, and the result does not pretend to adequately represent the range of narrative in the Levant. &lt;br/&gt;&lt;br/&gt;Some have also complained that two Levantine languages are too many when one of them is Hebrew. The most plausible reason for the proposed exclusion of Hebrew is that this literature is in no real sense of the word Levantine inasmuch as it was generally nourished in a European context until the twentieth century. True enough, but the Hebrew language was never simply a European language and East European Jews were arguably never simply Europeans. There exists an irreducible ambivalence of Hebrew-language culture that many who today share mixed origins or diaspora lives can well appreciate. Come to think of it, &#x201C;ambivalent identity&#x201D; may be the one thing common to all the Levant. Given that massive Jewish immigration into Palestine is a fact and that the literature of this experience has some relation to Levantine culture, to ignore it would be as intellectually unsound as willful ignorance of the Palestinian experience. Indeed, none less than the dean of Arab commitment, Ghassan Kanafani, also displayed serious interest in Zionist literature in Fi al-&#x2BE;Adab al-Sihyuni (On Zionist Literature) &#x2013; and arguably not just &#x201C;to know the enemy&#x201D; but to know the truth of a cultural situation, which is also the aim of the present volume.&lt;br/&gt;&lt;br/&gt;I would like to thank the following persons and institutions for their support and assistance. Angelika Neuwirth initiated the project and has been a guiding force since its inception. The Lebanese American University in Beirut has offered me a livelihood, and its library has proven far greater than its modest size would suggest. I thank its director, Aida Naaman, and the members of her staff with whom I have had the pleasure of working: Cendrella Abdallah, Sawsan Habre, Aida Hajjar, Bughdana Hajjar, and Kamal Jaroudy. I thank Edgard Weber of the Universit&#xE9; de Toulouse &#x2013; Le Mirail for organizing &#x201C;Symposium 2000: Les Romanciers libanais d&#x2019;expression arabe,&#x201D; a conference whose stimulating atmosphere boosted interest in this project. For their help in desktop page layout, I thank Chirine Abou Chakra, Birgit Embalo, Emma Ghannag&#xE9; and especially Hussam Harakeh. I also thank Jean Aucagne s.j. for looking over the style in French. Perhaps more than for most such cooperative projects, the contributors to this volume deserve my gratitude for the patience and confidence they have shown from the beginning. I have tried to make the product worthy of their significant investment.&lt;br/&gt;&lt;br/&gt;It certainly goes against the spirit of Beirut to thank persons for the intangibles of friendship and stimulating conversation, yet this book owes much to both. It has been my great fortune to count among my friends Rashid al-Daif and John Donahue s.j., both exceptionally knowledgeable in Levantine culture. John has moreover put together the handiest Arabic transliteration software I have encountered. Most of all, I acknowledge the mentorship of Samira Aghacy whose expertise in Arabic literature and whose advice at each step of the way in this project has been invaluable. In her capacity as Chair of Humanities at LAU &#x2013; Beirut, she has also performed the inestimable feat of providing a propitious environment for research, teaching and writing. Finally, May Semaan Seigneurie has been my most critical and consistently helpful reader.&lt;br/&gt;&lt;br/&gt;As extensive as my debts are to these friends and colleagues, on numerous occasions in the production process of this book I have chosen not to take counsel, and therefore the responsibility for the final product is mine alone. &lt;br/&gt;&lt;br/&gt;Ken Seigneurie&lt;br/&gt; 21 March 2003&lt;br/&gt; &lt;br/&gt;Works Cited&lt;br/&gt;&lt;br/&gt;Abdel-Malek, Kamal and David C. Jacobson. Israeli and Palestinian Identities in History and Literature. New York: St. Martin&#x2019;s Press, 1999.&lt;br/&gt;Hallaq, Boutros, Robin Ostle, and Stefan Wild, eds. La Po&#xE9;tique de l&#x2019;espace dans la litt&#xE9;rature arabe moderne. Paris: Presses Sorbonne Nouvelle, 2002.&lt;br/&gt;Kanafani, Ghassan. Fi al-&#x2BE;Adab al-Sihyuni (On Zionist Literature). Beirut: Munazzamat al-Tahrir al-Filistiniyya, Markaz al-Abhath, 1967.&lt;br/&gt;Ostle, Robin. Modern Literature in the Near and Middle East: 1850-1970. London: Routledge, 1991.&lt;br/&gt;Tabet, Jad. Interview. Beyrouth: Trois Visages de la m&#xE9;moire (Beirut: Three Faces of Memory). Dir. Fran&#xE7;ois Caillat. Paris: La Cinq, 2002.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;Note on Style and Transliteration&lt;br/&gt;&lt;br/&gt;This book is aimed at both specialists in Levantine literature as well as those who are not necessarily familiar with the Arabic and Hebrew languages. Contributors have therefore provided bibliographic information on translations and have quoted from available translations whenever possible. In the absence of published translations, the reader may assume that translations of quoted texts are the author&#x2019;s own and that page number references are to the original Arabic or Hebrew. Articles in French follow French style guidelines. In all essays transliterations are used only when germane to the author&#x2019;s argument and follow guidelines established by the International Journal of Middle East Studies. Finally, I have adopted the MLA style of in-text citations for ease of reading.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt; &lt;br/&gt; &lt;br/&gt;Index &lt;br/&gt;&lt;br/&gt;&lt;br/&gt; &lt;br/&gt;&#xDD;awda (return), 167, 224, 225, 232, 233&lt;br/&gt;A Deserted Winter (al-Hayek), 85&lt;br/&gt;&#xDD;Abbas, Ihsan, 225&lt;br/&gt;&#xDD;Abboud, Anisa&lt;br/&gt;Al-Na&#xDD;na&#xDD; al- barri (La Menthe sauvage), 76&lt;br/&gt;Abdel-Malek, Kamal, 8&lt;br/&gt;Abdul Hadi, Mufid, 179, 180, 184, 193&lt;br/&gt;The Other Side of the Coin, 180&lt;br/&gt;Accad, Evelyn, 84, 93&lt;br/&gt;Ach&#xDE;tiya (Habibi), 59&lt;br/&gt;Al-&#xDE;Adab, 14, 15&lt;br/&gt;aesthetic (n.), 15, 16, 21, 25, 26&lt;br/&gt;Africa, 94&lt;br/&gt;Aghacy, Samira, 25, 102, 115, 125&lt;br/&gt;Al-Ahram, 43&lt;br/&gt;Alcalay, Ammiel, 16&lt;br/&gt;Alep, 67, 77&lt;br/&gt;Alexandrette, 69&lt;br/&gt;Alexandria, 7, 35, 44&lt;br/&gt;&#x201C;Capital of memory&#x201D;, 35&lt;br/&gt;&#x201C;spirit of&#x201D;, 36&lt;br/&gt;alienation, 16, 21, 22, 184, 187, 211-16, 219, 221, 224, 235&lt;br/&gt;all&#xE9;gorie, 80, 150, 159, 165&lt;br/&gt;allegory, 39, 101, 104, 221&lt;br/&gt;Allen, Roger, 44&lt;br/&gt;Allenby Bridge, 202, 205&lt;br/&gt;Almog, Oz, 133&lt;br/&gt;Alter, Robert, 17, 19&lt;br/&gt;Ambers and Ashes (Sharabi), 179, 188&lt;br/&gt;Amichai, Yehuda, 58&lt;br/&gt;anachrony, 116, 121, 122, 126&lt;br/&gt;analepsis, 38, 121, 127&lt;br/&gt;anisochrony, 126&lt;br/&gt;Arab Human Development Report 2002, 12&lt;br/&gt;arabesque, as literary figure, 62&lt;br/&gt;Arabesques (Shammas), 51-64, 220&lt;br/&gt;&#xDD;Araidi, Na&#xDD;im, 54, 56, 220&lt;br/&gt;Aran, Gideon, 137&lt;br/&gt;al-&#xDE;Ashkar, Youssef Habshi&lt;br/&gt; Al-Zil wa-al-Sada (The Shadow and the Echo), 85, 87&lt;br/&gt;Ashrawi, Hanan, 226, 227, 232&lt;br/&gt;Attiyeh, Ahmad Mohammad, 14, 21&lt;br/&gt;Auerbach, Eric, 103&lt;br/&gt;autobiography, 8, 52, 53, 62, 116, 124, 126, 178, 180, 224, 225, 227&lt;br/&gt;function of, 181&lt;br/&gt;Palestinian, 178, 179, 180, 223-59&lt;br/&gt;Autumn Quail (Mahfouz), 35, 41-44&lt;br/&gt;Avidan, David, 56&lt;br/&gt;Avi-Yonah, Eva, 230&lt;br/&gt;B for a House Named Beirut (Yunis), 84&lt;br/&gt;Bachelard, Gaston, 86, 89&lt;br/&gt;Badawi, M.M., 13&lt;br/&gt;Badmington, Neil, 26&lt;br/&gt;Baghdad, 172&lt;br/&gt;Bakhtine, Mikha&#xEF;l, 171&lt;br/&gt;Band, Arnold, 18, 19&lt;br/&gt;Barakat, Halim, 21&lt;br/&gt;Barakat, Hoda, 22, 23, 24, 25, 84, 104&lt;br/&gt;Hajar al-Dahek (The Stone of Laughter), 22, 84, 86, 87, 89&lt;br/&gt;Barbulesco, Luc, 40&lt;br/&gt;Barghouti, Mourid, 179, 180, 185, 186, 187, 188, 193, 194, 195, 200-09&lt;br/&gt;Ra&#xDE;aytu Ramallah (I Saw Ramallah), 180, 200-09&lt;br/&gt;Barr&#xE8;s, Maurice, 35&lt;br/&gt;D&#xE9;sint&#xE9;ressement, 37&lt;br/&gt;Barthes, Roland, 211&lt;br/&gt;Baudrillard, Jean, 26&lt;br/&gt;al-Bayati, Abd al-Wahhab&lt;br/&gt;&#x201C;Traveler Without Luggage&#x201D;, 212&lt;br/&gt;Beauvoir, Simone de, 211&lt;br/&gt;Bedouins, 183, 227&lt;br/&gt;Beirut, 7, 8, 14, 85, 89, 91, 95, 101, 106, 109, 120, 127, 179, 180, 184, 188, 232, 234&lt;br/&gt;Martyrs&#x2019; Square, 123&lt;br/&gt;Benjamin, Walter, 136&lt;br/&gt;Benvenisti, Meron, 133, 138, 139&lt;br/&gt;Bethlehem, 229&lt;br/&gt;Bettelheim, Herbert, 230&lt;br/&gt;Beyrouth, 70, 71, 172&lt;br/&gt;Beyrouth 75 (al-Samman), 70&lt;br/&gt;Bhabha, Homi, 59, 60&lt;br/&gt;Bil&#x101;d al-Sh&#x101;m, VII&lt;br/&gt;Bildungsroman, 115&lt;br/&gt;Bird from the Moon (Ussayran), 85&lt;br/&gt;borders and boundaries, 64, 85, 87, 91, 92, 104, 105, 108, 110, 111, 112, 200-09, 212, 216, 218, 220, 231, 232&lt;br/&gt;Boshas, Heda, 63&lt;br/&gt;Boullata, Issa, 219&lt;br/&gt;Bourdieu, Pierre, 112&lt;br/&gt;Bourneuf, R., 165&lt;br/&gt;Bowman, Glenn, 177, 178&lt;br/&gt;Brecht, Bertold&lt;br/&gt;The Life of Galileo, 122, 129&lt;br/&gt;Brenner Prize, 143&lt;br/&gt;Brown, Bill, 23&lt;br/&gt;Buccianti, Alexandre, 43&lt;br/&gt;Butor, Michel, 168, 170, 171&lt;br/&gt;Cairo, 41, 42, 44, 45, 180, 184, 186, 204&lt;br/&gt;campagne, 69, 73, 74, 146&lt;br/&gt;camps des r&#xE9;fugi&#xE9;s, 170, 172&lt;br/&gt;Cassioun, 68&lt;br/&gt;Cavafy, Constantinos, 35, 36, 37, 47&lt;br/&gt;censorship, 12, 43&lt;br/&gt;Certeau, Michel de, 24, 88, 104&lt;br/&gt;Chahine, Youssef&lt;br/&gt;Iskandariyya Leh?, 39&lt;br/&gt;character, 21, 22, 23, 24, 25, 38, 39, 44, 102, 103&lt;br/&gt;Chasseurs dans une rue &#xE9;troite (Djabra), 172&lt;br/&gt;Christian, 19, 21, 89, 90, 92, 104, 107, 109, 111, 115, 226, 229, 230&lt;br/&gt;Maronite, 115, 123&lt;br/&gt;Christianity, 57&lt;br/&gt;Christie, Agatha&lt;br/&gt;Death on the Nile, 129&lt;br/&gt;Cisjordanie, 152, 154&lt;br/&gt;city, 35, 37, 39, 40, 42, 43, 84, 185&lt;br/&gt;and danger, 96, 123&lt;br/&gt;and desire, 95&lt;br/&gt;and memory, 228&lt;br/&gt;and violence, 86, 89&lt;br/&gt;myth of, 38, 39, 40&lt;br/&gt;Palestinian, 230&lt;br/&gt;civil society, 25, 87&lt;br/&gt;class, 24, 85, 101, 104, 107, 108, 109, 110, 112, 121, 178, 184&lt;br/&gt;middle, 179, 184, 195, 228&lt;br/&gt;commitment, 12-25, 87, 93, 206&lt;br/&gt;Arab, VIII, 15&lt;br/&gt;Zionist, 15&lt;br/&gt;communism, 21, 90, 115, 121&lt;br/&gt;Cooke, Miriam, 25, 45, 96&lt;br/&gt;Corneille, Pierre&lt;br/&gt;Le Cid, 129&lt;br/&gt;cosmopolitanism, 35, 41, 42&lt;br/&gt;crisis, VII&lt;br/&gt;in literature, 12&lt;br/&gt;of memory, 177, 189, 190, 192, 195, 196&lt;br/&gt;personal, 188&lt;br/&gt;regional, 11&lt;br/&gt;social and political, 22, 27, 41, 177&lt;br/&gt;culture, 61&lt;br/&gt;and ambivalence, 212, 217, 219&lt;br/&gt;and space, 109, 211&lt;br/&gt;Arab, 12, 62&lt;br/&gt;Eastern Mediterranean, 36&lt;br/&gt;Hebrew language, VIII, 17, 19&lt;br/&gt;Hebrew-Jewish-Israeli, 59&lt;br/&gt;Israeli, 16&lt;br/&gt;Israeli-Arab, 59&lt;br/&gt;Jewish, 17, 19, 52, 56&lt;br/&gt;Levantine, VIII, IX, 13&lt;br/&gt;Palestinian, 59, 151, 229&lt;br/&gt;popular, 227&lt;br/&gt;religious, 26&lt;br/&gt;urban, 234&lt;br/&gt;vs. nature, 76&lt;br/&gt;Western, 11, 212, 226, 237&lt;br/&gt;Zionist, 20, 135&lt;br/&gt;Culture and Imperialism (Said), 11&lt;br/&gt;al-Daif, Rashid, 12, 22, 23, 24, 25, 83, 88-92, 115-29&lt;br/&gt;Ahl al-Zil (The Shade Dwellers), 85, 86, 88, 93&lt;br/&gt;Al-Mustabid (The Obstinate), 92&lt;br/&gt;&#x2BF;Azizi al-Sayyid Kawabata (Dear Mr Kawabata), 15, 21, 115-29&lt;br/&gt;Fusha Mustahdafa Bayna al-Nu&#x2BE;as wa-al-Nawm (Passage to Dusk), 22, 83, 88-92&lt;br/&gt;Dallal, Shaw, 233&lt;br/&gt;Damascus, 67-74, 213&lt;br/&gt;Daoud, Hassan, 22, 23, 24, 25, 101, 104, 112&lt;br/&gt;Binayat Mathilde (The House of Mathilde), 22, 85, 101-12&lt;br/&gt;Darwish, Mahmud, 59, 64, 181, 223, 224, 226, 237, 238&lt;br/&gt;Dhakira li-al-Nisyan (Memory for Forgetfulness), 223&lt;br/&gt;Days of Ziklag (Yizhar), 136, 141&lt;br/&gt;De retour &#xE0; Ha&#xEF;fa (Kanafani), 149, 157&lt;br/&gt;Dear Mr Kawabata (al-Daif), 15, 21, 115-29&lt;br/&gt;Debates with Western Thinkers (Nana), 211&lt;br/&gt;Derrida, Jacques&lt;br/&gt;Le Monolinguisme de l&#x2019;autre&lt;br/&gt;ou la proth&#xE8;se d&#x2019;origine, 54&lt;br/&gt;Des hommes au soleil (Kanafani), 145, 147, 152, 169, 170&lt;br/&gt;Des hommes et des fusils (Kanafani), 149, 152, 159&lt;br/&gt;desert, 185&lt;br/&gt;d&#xE9;sert, 69, 72, 74, 75, 76, 147, 169, 170&lt;br/&gt;d&#xE9;sillusion, 72&lt;br/&gt;desire, imitative, 107&lt;br/&gt;diaspora, VIII, 60, 135, 185, 187, 195&lt;br/&gt;Jewish, 133, 135&lt;br/&gt;Palestinian, 177-81, 185, 189, 190, 195, 196, 231, 236&lt;br/&gt;disillusionment, 16, 18, 41, 213&lt;br/&gt;Al-Diyar, 88&lt;br/&gt;Djabra, Djabra Ibrahim&lt;br/&gt;Al-Safina, 172&lt;br/&gt;Sayyadoun fi shari&#x2BF; dayyiq (Chasseurs dans une rue &#xE9;troite), 172&lt;br/&gt;Drabble, Margaret, 117, 129&lt;br/&gt;Durrell, Lawrence, 35, 39, 40, 41, 45&lt;br/&gt;Eco, Umberto, 117, 124, 125, 129&lt;br/&gt;effet de r&#xE9;el, 67, 68&lt;br/&gt;Egypt, 27, 35-47, 184, 200, 215&lt;br/&gt;independence of 1922, 42&lt;br/&gt;Revolution of 1952, 42, 43, 45&lt;br/&gt;Suez war of 1956, 43, 122&lt;br/&gt;Eliot, T.S., 37&lt;br/&gt;The Waste Land, 37&lt;br/&gt;emigration, 185, 213&lt;br/&gt;Palestinian, 183, 192&lt;br/&gt;al-Enany, Rasheed, 43, 44&lt;br/&gt;engagement, 14&lt;br/&gt;artistique, 145, 172, 173&lt;br/&gt;dans la lutte arm&#xE9;e, 148-50, 153, 172, 173&lt;br/&gt;id&#xE9;ologique, 145, 172, 173&lt;br/&gt;Enlightenment, the, 12-13, 19, 22, 26&lt;br/&gt;Ephrayim Returns to the Alfalfa (Yizhar), 134-37&lt;br/&gt;Ermarth, Elizabeth, 26, 102&lt;br/&gt;espace, 69&lt;br/&gt;description, 154, 160, 165, 171&lt;br/&gt;et litt&#xE9;rature, 67&lt;br/&gt;et m&#xE9;moire, 76&lt;br/&gt;et violence, 75&lt;br/&gt;figur&#xE9;, 67, 80&lt;br/&gt;interm&#xE9;diaire, 78&lt;br/&gt;magique, 70&lt;br/&gt;mythique, 80&lt;br/&gt;naturel, 145, 164, 169, 172&lt;br/&gt;r&#xE9;f&#xE9;rentiel, 67&lt;br/&gt;romanesque, 67, 68, 77, 80&lt;br/&gt;rural, 73, 74&lt;br/&gt;urbain, 67-72, 76, 81, 145, 157, 161, 164-65, 168, 173&lt;br/&gt;ethnicity, 24, 27, 112&lt;br/&gt;Europe, VIII, 16, 17, 60, 218, 224&lt;br/&gt;European Cultural Foundation, 115&lt;br/&gt;exile, 42, 55, 125, 180, 185, 186, 208, 212-21, 224, 226, 228, 232, 234&lt;br/&gt;and disorientation, 201, 204&lt;br/&gt;and inspiration, 206&lt;br/&gt;and return, 202, 204, 208, 224, 225&lt;br/&gt;as home, 220, 221, 236, 237&lt;br/&gt;Jewish, 55, 137&lt;br/&gt;Palestinian, 177, 178, 181, 185-95, 200, 202, 203, 206, 209, 214, 224, 225, 232, 236&lt;br/&gt;psychological, 211-13, 219, 220&lt;br/&gt;Exile&#x2019;s Return (Turki), 179, 191, 192, 193&lt;br/&gt;Exodus, book of, 61&lt;br/&gt;Faqir, Fadia, 211, 212&lt;br/&gt;al-Faysal, Samar Rouhi, 67, 68&lt;br/&gt;Feldman, Yael, 57&lt;br/&gt;feminism, 45&lt;br/&gt;feudal elites, 13, 22&lt;br/&gt;fiction, VII&lt;br/&gt;Palestinian, 192&lt;br/&gt;focalization, 102, 142&lt;br/&gt;Forster, E.M., 35, 37&lt;br/&gt;Foucault, Michel, 58, 83, 133, 211&lt;br/&gt;Fowles, John, 38&lt;br/&gt;Frank, Joseph, 91&lt;br/&gt;Freud, Sigmund, 92&lt;br/&gt;From the Notebooks of a Woman (Nana), 211&lt;br/&gt;Fusul, 12&lt;br/&gt;gender, VII, 13, 24, 26, 27, 45, 83, 85, 92-97, 104, 109, 112, 212, 215, 218, 221&lt;br/&gt;Genet, Jean, 238&lt;br/&gt;Genette, G&#xE9;rard, 116, 126, 136, 171&lt;br/&gt;geography, 83, 133, 203, 213&lt;br/&gt;al-Ghaly, Salwa, 94&lt;br/&gt;Ghana&#x2BE;yim, Muhammad, 54&lt;br/&gt;al-Ghitani, Gamal, 104&lt;br/&gt;Gillis, John, 177&lt;br/&gt;Girard, Ren&#xE9;, 107, 108&lt;br/&gt;Goldenstein, Jean-Pierre, 171&lt;br/&gt;Goldmann, Lucien, 153&lt;br/&gt;Gonzales-Quijano, Yves, 223&lt;br/&gt;Gover, Yerach, 20&lt;br/&gt;Goytisolo, Juan, 238&lt;br/&gt;Griffiths, Morwenna, 216&lt;br/&gt;Grosz, Elizabeth, 93&lt;br/&gt;Gurevitch, Zali, 137&lt;br/&gt;Habibi, Emile, 59, 145, 149-51, 154-74&lt;br/&gt;"Al-Hubbu fi qalbi" (L'Amour dans mon coeur), 173&lt;br/&gt;"Bawwabat Mandilbawm" (La Porte de Mandelbaum), 152&lt;br/&gt;"Marthiyyat al-silt&#x2BF;awn " (El&#xE9;gie &#xE0; un crabe), 166&lt;br/&gt;"Nawwar al-lawz" (Les Amandiers en fleurs), 149, 154&lt;br/&gt;Ach&#x2BE; tiya, 59&lt;br/&gt;Al- Waqa&#x2BE;i&#x2BF; al-ghariba fi khtifa&#x2BE; Sa&#x2BF;id Abi al-Nahs al-Mutasha&#x2BE;il (Les Aventures extraordinaires de Sa&#x2BF;id le Peptimiste), 150, 157, 164, 165, 170, 173&lt;br/&gt;Saraya bint al-ghoul (Saraya fille de l'ogre), 150, 155, 164&lt;br/&gt;Sudasiyyat al-ayyam al-sitta (Sizaine des six jours), 149, 175&lt;br/&gt;Halasa, Ghalib, 67&lt;br/&gt;Halkin, Hillel, 55&lt;br/&gt;Hallaq, Boutros, VIII&lt;br/&gt;Hamarneh, Walid, 38&lt;br/&gt;al-Hamdani, Hamid, 67&lt;br/&gt;Haqqi, Badi&#x2BF;&lt;br/&gt;Al-Turab al-hazin (La Terre triste), 148&lt;br/&gt;Haqqi, Yehya, 217&lt;br/&gt;Qindil Umm Hashim (The Saint&#x2019;s Lamp and Other Stories), 217&lt;br/&gt;Harlow, Barbara, 21&lt;br/&gt;Harshav, Benjamin, 17, 136&lt;br/&gt;Harvey, David, 24&lt;br/&gt;Haskalah (Jewish enlightenment), 16&lt;br/&gt;Havel, Vaclav, 25&lt;br/&gt;Haydar, Haydar, 68-76, 78, 81&lt;br/&gt;Al-Zaman al-mouhish (Le Temps d&#xE9;vast&#xE9;), 68-76, 81&lt;br/&gt;al-Hayek, Ren&#xE9;&lt;br/&gt;Shitaa Mahjur (A Deserted Winter), 85&lt;br/&gt;Haykal, Yusuf, 232, 235&lt;br/&gt;Hebrew, the New, 133, 134, 135&lt;br/&gt;Heller, Joseph, 19&lt;br/&gt;Herzl, Theodor, 59&lt;br/&gt;Hever, Hannan, 20, 53, 62, 134&lt;br/&gt;histoire, 71, 75, 77, 78, 165&lt;br/&gt;historical determinism, 121&lt;br/&gt;historiography&lt;br/&gt;Israeli, 193&lt;br/&gt;Palestinian, 179, 184&lt;br/&gt;history, 19, 23, 35, 86, 136, 177, 204, 205&lt;br/&gt;and gender, 83, 87&lt;br/&gt;and geography, 83, 136, 137&lt;br/&gt;assumptions about, 23, 25, 46&lt;br/&gt;Egyptian, 40&lt;br/&gt;engagement with, 89, 90, 136, 137, 225&lt;br/&gt;Israeli-Palestinian, 53&lt;br/&gt;Jewish, 135, 136&lt;br/&gt;oral, 179, 190&lt;br/&gt;Palestinian, 178, 184, 190-93&lt;br/&gt;personal, 58, 184, 193&lt;br/&gt;refuge from, 88, 97, 137, 142&lt;br/&gt;Holy Land, the, 17&lt;br/&gt;home, 86, 89, 106, 110, 182, 186, 212, 213, 216, 221, 236&lt;br/&gt;and geography, 186, 188, 196, 216&lt;br/&gt;as exile, 219, 236, 237&lt;br/&gt;as refuge, 89&lt;br/&gt;collective, 227&lt;br/&gt;ironized, 234&lt;br/&gt;Palestinian, 182&lt;br/&gt;psychological, 186, 194, 214-15, 221, 234&lt;br/&gt;urban, 228&lt;br/&gt;homeland, 27, 180, 185-86, 195, 211-21, 224, 236&lt;br/&gt;and geography, 200, 207, 213&lt;br/&gt;Jewish, 133, 135&lt;br/&gt;Jewish-Palestinian, 60&lt;br/&gt;Palestinian, 177-96, 199, 205, 214, 216, 217, 221, 223, 224, 225, 232&lt;br/&gt;psychological, 209, 212, 214, 216, 218, 219, 220, 221, 234&lt;br/&gt;homelessness, 56, 227, 236, 237&lt;br/&gt;humanism, 26&lt;br/&gt;hybridity, 53, 236&lt;br/&gt;I Saw Ramallah (Barghouti), 180, 200-09&lt;br/&gt;identity, 37, 52, 58, 86, 195, 212&lt;br/&gt;ambivalent, VIII, 16, 51&lt;br/&gt;and history, 47&lt;br/&gt;and memory, 177&lt;br/&gt;and space, 90, 95, 97, 213&lt;br/&gt;Arab, 211&lt;br/&gt;Arab-Israeli, 51, 52, 54, 55&lt;br/&gt;Arab-Israeli-Palestinian, 63&lt;br/&gt;class, 112&lt;br/&gt;collective, 83, 199, 215, 227, 235&lt;br/&gt;Palestinian, 235&lt;br/&gt;crisis, 56, 57&lt;br/&gt;cultural, 178, 221&lt;br/&gt;essentialized, 26, 61&lt;br/&gt;ethnic, 227&lt;br/&gt;formation of, 41&lt;br/&gt;gender, 87&lt;br/&gt;hybrid, 236&lt;br/&gt;Israeli, 19, 59&lt;br/&gt;Jewish-Israeli, 51, 53, 59, 60&lt;br/&gt;Kurdish, 212, 213, 218, 220, 221&lt;br/&gt;national, 177, 178, 190, 191, 196, 232&lt;br/&gt;Palestinian, 51, 59, 60, 178, 179, 183, 190-96, 204, 226, 232, 235, 236&lt;br/&gt;Palestinian-American, 191&lt;br/&gt;Palestinian-Israeli, 60&lt;br/&gt;personal, 92-95, 178, 199, 214, 235&lt;br/&gt;reciprocal, 53&lt;br/&gt;ideological codes, 24&lt;br/&gt;ideology, VII, 24, 46, 90, 133&lt;br/&gt;Christian, 112&lt;br/&gt;Nasserism, 43, 44&lt;br/&gt;naturalized, 25&lt;br/&gt;of commitment, 22&lt;br/&gt;Palestinian folk, 227&lt;br/&gt;programmatic, 16, 19, 23, 25&lt;br/&gt;Zionist, 18, 19, 133, 135, 137, 143&lt;br/&gt;Idriss, Suhayl, 217&lt;br/&gt;Al-Hay al-Latini (The Latin Quarter), 217&lt;br/&gt;ightir&#x101;b (alienation), 16, 21&lt;br/&gt;Ikhlasi, Walid, 77, 81&lt;br/&gt;Dar al-mut&#x2BF;a (La Maison du plaisir), 68, 77, 81&lt;br/&gt;iltiz&#x101;m (commitment), 14, 15, 16, 21&lt;br/&gt;image, 17, 63, 153&lt;br/&gt;imagery, decadent, 37&lt;br/&gt;imagination, 206&lt;br/&gt;and ideology, 59, 203, 221&lt;br/&gt;artistic, 173, 199&lt;br/&gt;personal, 91, 214, 218&lt;br/&gt;immigration, 226&lt;br/&gt;Jewish, VIII, 160, 184, 193, 230&lt;br/&gt;imperialism, 13&lt;br/&gt;impressionism, 136&lt;br/&gt;intellectuals, 12, 15, 187, 192&lt;br/&gt;Arab, 193, 230&lt;br/&gt;Israeli, 18, 52&lt;br/&gt;Palestinian, 179, 184, 187, 188, 190, 191, 195, 196&lt;br/&gt;Palestinian-Israeli, 20&lt;br/&gt;Sephardic-Israeli, 20&lt;br/&gt;interiority, psychological, 89, 90, 91&lt;br/&gt;invasion&lt;br/&gt;Bonaparte's of Egypt, 35&lt;br/&gt;Israeli of Lebanon, 22&lt;br/&gt;Iraq, VII, 75, 169, 225&lt;br/&gt;ironie, 150, 166, 172&lt;br/&gt;irony, 19, 25, 37, 59, 60, 62&lt;br/&gt;Islam, 57, 75, 127, 128&lt;br/&gt;Israel, 64&lt;br/&gt;Arab culture in, 62&lt;br/&gt;culture of, 18, 19, 51, 53, 56&lt;br/&gt;Erets Yisrael, 133&lt;br/&gt;founding of, 13, 16, 18, 59, 115&lt;br/&gt;idea of, 16&lt;br/&gt;land of, 137, 143&lt;br/&gt;names for, 133, 205&lt;br/&gt;post-Zionist, 20&lt;br/&gt;state of, 53, 177, 203, 224, 232&lt;br/&gt;Israel-Palestine, 27&lt;br/&gt;Al-Ittihad, 145&lt;br/&gt;Izmir, VII&lt;br/&gt;Jab&#xE8;s, Edmond, 64&lt;br/&gt;Jabra, Jabra Ibrahim, 13, 14, 225, 228, 229&lt;br/&gt;Jacobson, David C., VIII&lt;br/&gt;al-Jahiz, 129&lt;br/&gt;JanMohammed, Abdul, 226&lt;br/&gt;Jericho, 229&lt;br/&gt;Jerusalem, 154, 160, 161, 162, 165, 166, 167, 168, 206&lt;br/&gt;Jerusalem Memories (Shahid), 180&lt;br/&gt;Jordan, 231&lt;br/&gt;Palestinians in, 190&lt;br/&gt;Judaism, 17, 57&lt;br/&gt;Kahana-Carmon, Amalia, 20&lt;br/&gt;Kanafani, Ghassan, 14, 145-49, 152-74 &lt;br/&gt;"Al-&#x2BF;Arous" (La Mari&#xE9;e), 161&lt;br/&gt;"Al-Batal fi al-zinzana" (Le H&#xE9;ros dans sa cellule), 172&lt;br/&gt;"Al-Qamis al-masrouq" (La Chemise vol&#xE9;e), 171&lt;br/&gt;"Al-Saghir wa-abouhu wa-al-martina yadhhabouna ila qal&#x2BE;at Djiddin" (Le Petit, son p&#xE8;re et le fusil vont &#xE0; la forteresse de Djiddin), 155&lt;br/&gt;"Al-Saghir yaktashif &#x2BF;an al-muftah yushbihu al-fa&#x2BE;s" (Le Petit d&#xE9;couvre la ressemblance entre la clef et la hache), 166&lt;br/&gt;"Al-&#x2BE;Ufuq wara&#x2BE; al-bawwaba" (L'Horizon derri&#xE8;re le passage), 166&lt;br/&gt;"Ard al-burtuqal al-hazin" (La Terre des orangers tristes), 148, 157, 163, 168&lt;br/&gt;"Darb kha&#x2BE;in" (Le Tra&#xEE;tre), 169&lt;br/&gt;"Ila an ya&#x2BF;oud" (Jusqu&#x2019;&#xE0; son retour), 147, 169&lt;br/&gt;"Kana yawma dhaka tifla" (Il &#xE9;tait alors petit gar&#xE7;on), 173&lt;br/&gt;"Mawt sarir raqm 12" (La Mort du lit no. 12), 170&lt;br/&gt;"Qatil fi al-Mawsil" (Un mort &#xE0; Mossoul), 162&lt;br/&gt;"Ra&#x2BE;s al-asad al-hadjari" (La T&#xEA;te d'un lion en pierre), 153&lt;br/&gt;"Thalath &#x2BE;awraq min Filistin" (Trois papiers de Palestine), 161&lt;br/&gt;"Waraqa min Gaza" (Un papier de Gaza), 156&lt;br/&gt;&#x2BE;Adab al-Muqawamah fi Filistin al-Muhtallah: 1948-1966 (Resistance Literature in Occupied Palestine&lt;br/&gt;1948-1966), 14&lt;br/&gt;&#x2BF;A&#x2BE;id ila Ha&#xEF;fa (De retour &#xE0; Ha&#xEF;fa), 149, 157, 162, 165, 236&lt;br/&gt;&#x2BF;An al-ridjal wa-al-banadiq (Des hommes et des fusils), 149, 152, 159&lt;br/&gt;Fi al-&#x2BE;Adab al-Sihyuni (On Zionist Literature), VIII, 14&lt;br/&gt;Ma tabaqqa lakum (L&#x2019;Horloge et le d&#xE9;sert), 159, 163, 169&lt;br/&gt;Ridjal fi al-shams (Des hommes au soleil), 145, 147, 152, 169, 170&lt;br/&gt;Umm Sa&#x2BF;d (M&#xE8;re de Sa&#x2BF;d), 146, 147, 149, 152, 156&lt;br/&gt;Kawabata, Yasunari, 116&lt;br/&gt;The Master of Go, 116&lt;br/&gt;Kermode, Frank, 24&lt;br/&gt;Khaled, Leila, 211&lt;br/&gt;Khalidi, Rashid, 228, 231&lt;br/&gt;Palestinian Identity, 178&lt;br/&gt;Khayr, Nazih, 54&lt;br/&gt;Khoury, Elias, 12, 15, 83&lt;br/&gt;Al-Jabal al-Saghir (Little Mountain), 83, 84&lt;br/&gt;Rihlat Gandi al-Saghir (The Journey of Little Gandhi), 83&lt;br/&gt;Kilpatrick, Hilary, 14&lt;br/&gt;Klemm, Verena, 14, 15&lt;br/&gt;Koweit, 145, 152, 169, 170&lt;br/&gt;Kronfeld, Chana, 59, 134&lt;br/&gt;L&#x2019;Atelier, 36&lt;br/&gt;L&#x2019;Horloge et le d&#xE9;sert (Kanafani), 159, 163, 169&lt;br/&gt;La Maison du plaisir (Ikhlasi), 68, 77-81&lt;br/&gt;La Menthe sauvage (&#x2BF;Abboud), 76&lt;br/&gt;La R&#xE9;forme, 36&lt;br/&gt;La Terre triste (Haqqi), 148&lt;br/&gt;Lackany, Radam&#xE8;s, 36&lt;br/&gt;language, 54&lt;br/&gt;Arabic, 55, 191, 214, 224&lt;br/&gt;as home, 54, 56&lt;br/&gt;English, 191, 224&lt;br/&gt;Hebrew, VIII, 53, 56-58, 63, 64&lt;br/&gt;Israeli, 56&lt;br/&gt;Jewish, 55, 56&lt;br/&gt;Yiddish, 55&lt;br/&gt;Laor, Dan, 62&lt;br/&gt;la terre natale, 145-169&lt;br/&gt;Lattaqui&#xE9;, 67, 76&lt;br/&gt;lbert, Robert, 38, 42&lt;br/&gt;Le Temps d&#xE9;vast&#xE9; (Haydar), 68-76, 78, 81&lt;br/&gt;Lebanon, 27, 180, 231&lt;br/&gt;and war, 95, 101, 115&lt;br/&gt;cultural history, 87, 94&lt;br/&gt;Palestinians in, 61, 182, 186, 190, 195&lt;br/&gt;refugee camps in, 225&lt;br/&gt;Lefebvre, Henri, 24, 103&lt;br/&gt;Les Aventures extraordinaires de Sa&#x2BF;id le Peptimiste (Habibi), 150, 157, 164-65, 173&lt;br/&gt;Les Tells (al-Rahib), 76&lt;br/&gt;Lessing, Doris&lt;br/&gt;The Grass Is Singing, 112&lt;br/&gt;Levant, the, VII, VIII, 11, 12, 16, 21&lt;br/&gt;cosmopolitan, 44&lt;br/&gt;defined, VII&lt;br/&gt;L&#xE9;vi-Strauss, Claude, 35&lt;br/&gt;liberation, 26&lt;br/&gt;national, 13, 214&lt;br/&gt;Palestinian, 219&lt;br/&gt;literature&lt;br/&gt;Arabic, 12-16, 21, 56, 57, 104, 115, 116, 129, 192, 217, 230&lt;br/&gt;Egyptian, 43&lt;br/&gt;Hebrew, 16-20, 21, 51, 58, 62, 63, 143&lt;br/&gt;Israeli, 19&lt;br/&gt;Jewish, 17, 56&lt;br/&gt;Levantine, VII, 11&lt;br/&gt;mediation of, 17, 209&lt;br/&gt;of commitment, 12, 17, 22, 24, 134&lt;br/&gt;Palestinian, 177, 185, 230, 232&lt;br/&gt;Palestinian-Israeli, 219, 220&lt;br/&gt;Western, 38, 103&lt;br/&gt;world, 117, 129&lt;br/&gt;Zionist, VIII, 14, 17, 134&lt;br/&gt;Little Mountain (Khoury), 83, 84&lt;br/&gt;Luk&#xE1;cs, Georg, 21, 22, 23, 26, 172&lt;br/&gt;Madrid conference, 238&lt;br/&gt;Mahfouz, Naguib, 35-47&lt;br/&gt;Al-Summan wa-al-Kharif (Autumn Quail), 35, 41-44&lt;br/&gt;Miramar, 35, 38-47&lt;br/&gt;Thulathiyyat (The Cairo Trilogy), 43&lt;br/&gt;Zuqaq al-Midaq (Midaq Alley), 43&lt;br/&gt;Mahood, M.M., 42&lt;br/&gt;Malpas, J.E., 199&lt;br/&gt;Mandate, British, 18, 133, 184, 193&lt;br/&gt;Mandelbaum Gate, 166, 167&lt;br/&gt;Mansur, Atallah, 54&lt;br/&gt;In a New Light, 220&lt;br/&gt;martyrdom, 14&lt;br/&gt;martyre, 75, 156, 168&lt;br/&gt;Massalha, Salman, 54&lt;br/&gt;Massey, Doreen, 83&lt;br/&gt;McDowell, Linda and Joane Sharp&lt;br/&gt;Space, Gender, Knowledge, 86&lt;br/&gt;Medhrez, Samia, 43&lt;br/&gt;m&#xE9;moire, 77, 79, 80, 150&lt;br/&gt;de la Palestine, 160&lt;br/&gt;lieu de, 81&lt;br/&gt;personnelle, 80, 150&lt;br/&gt;memoirs, VII, 46, 178, 179, 181, 185, 211&lt;br/&gt;Palestinian, 177-96&lt;br/&gt;memory, VII, 27, 37, 124, 125, 127, 213&lt;br/&gt;collective, 18, 125, 177-81, 189, 190, 191, 196&lt;br/&gt;environmental, 182&lt;br/&gt;intellectual, 225&lt;br/&gt;Jewish, 223&lt;br/&gt;Palestinian, 184, 223&lt;br/&gt;personal, 125, 178&lt;br/&gt;Memory for Forgetfulness (Darwish), 223&lt;br/&gt;m&#xE9;talepse, 165&lt;br/&gt;metaphor, 85, 206&lt;br/&gt;m&#xE9;taphore, 151, 157&lt;br/&gt;spatiale, 171&lt;br/&gt;m&#xE9;tonymie, 148, 159&lt;br/&gt;metonymy, 41&lt;br/&gt;Michael, Sami, 57&lt;br/&gt;microcosm, 43, 104, 109&lt;br/&gt;Midaq Alley (Mahfouz), 43&lt;br/&gt;Mille et Une Nuits, 70, 78, 173&lt;br/&gt;mimesis, 39, 107, 108&lt;br/&gt;Mina, Hanna, 14&lt;br/&gt;Minh-ha, Trinh T., 215, 219&lt;br/&gt;Mintz, Alan, 19&lt;br/&gt;Miramar (Mahfouz), 38-47&lt;br/&gt;Miron, Dan, 143&lt;br/&gt;Mitchell, Timothy, 112&lt;br/&gt;modernism, 21&lt;br/&gt;modernit&#xE9;, 77, 79, 81&lt;br/&gt;modernity, VII, 12, 16, 21-25, 37, 45&lt;br/&gt;Morrison, Paul, 94&lt;br/&gt;Mouvement Nationaliste Arabe, 145&lt;br/&gt;Mukherjee, Bharati, 213&lt;br/&gt;Jasmine, 216&lt;br/&gt;Mur des Lamentations, 168&lt;br/&gt;Muslim, 21, 42, 45, 89, 104, 110, 115, 128&lt;br/&gt;Shiite, 21, 104, 108, 110, 112&lt;br/&gt;Al-Mustabid (Daif), 92&lt;br/&gt;al-Mutanabbi, 129&lt;br/&gt;myth of decadence, 35, 38, 44&lt;br/&gt;al-nah&#xB1;a (the renaissance), 12&lt;br/&gt;al-nakba (the catastrophe), 182, 189, 190, 193&lt;br/&gt;Nana, Hamida, 211-21&lt;br/&gt;"Writing Away the Prison", 211&lt;br/&gt;Al-Subh al-Dami fi &#x2BF;Adan (The Bloody Morning in Eden), 211&lt;br/&gt;Al-Watan fi al-&#x2BF;aynayn (The Homeland), 211-21&lt;br/&gt;Hiwarat ma&#x2BF; Mufakiri al-gharb (Debates with Western Thinkers), 211&lt;br/&gt;Man Yajru&#x2BE; &#x2BF;ala al-Shawq (Who Dares to Desire), 211&lt;br/&gt;Min Dafater Imra&#x2BE;a (From the Notebooks of a Woman), 211&lt;br/&gt;narrative, 11&lt;br/&gt;defined, VII&lt;br/&gt;mediating function of, 200&lt;br/&gt;national, 143&lt;br/&gt;Palestinian, 53&lt;br/&gt;travel, 35&lt;br/&gt;narrator, 118&lt;br/&gt;Nasrallah, Emily&lt;br/&gt;Al-Iqla&#x2BF; &#x2BF;aks al-Zaman (Flight Against Time), 217&lt;br/&gt;nationalism, 53, 191, 192, 196, 214, 216, 231&lt;br/&gt;Palestinian, 53, 214, 227, 231&lt;br/&gt;nature&lt;br/&gt;description of, 141&lt;br/&gt;Neuwirth, Angelika, 229&lt;br/&gt;Nobel Prize, 117&lt;br/&gt;nostalgia, 39, 64, 86, 207, 213, 218, 233, 234&lt;br/&gt;nostalgie, 78, 148, 167&lt;br/&gt;novel, VIII&lt;br/&gt;and myth, 35&lt;br/&gt;Arabic, 13, 25&lt;br/&gt;existentialism, 22&lt;br/&gt;Jordanian-Palestinian, 15&lt;br/&gt;Lebanese, 21&lt;br/&gt;modern, 101&lt;br/&gt;modernism, 35, 46&lt;br/&gt;realism, 22-23, 35, 43, 46, 101, 102&lt;br/&gt;romanticism, 22&lt;br/&gt;Hebrew, 18, 19, 134&lt;br/&gt;le nouveau roman, 13&lt;br/&gt;postmodern, 13&lt;br/&gt;Western, 43, 47&lt;br/&gt;occupation, Israeli, 52, 57, 189, 195, 200, 204, 226&lt;br/&gt;opportunism, 22, 45, 88&lt;br/&gt;orientalism, 11, 35, 139&lt;br/&gt;Orientalism (Said), 11, 193&lt;br/&gt;Oslo process, 177, 180, 189, 194, 196&lt;br/&gt;Ostle, Robin, VIII&lt;br/&gt;Out of Place (Said), 180, 186&lt;br/&gt;Oz, Amos, 20, 54&lt;br/&gt;PAA (Palestinian Autonomous Authority), 200&lt;br/&gt;Palestine, 15, 16, 223&lt;br/&gt;and memory, 182-96, 200, 202, 224, 234&lt;br/&gt;conquered territories, 215&lt;br/&gt;espace de la, 158, 164, 172&lt;br/&gt;history of, 213, 229&lt;br/&gt;idea of, 178, 194, 195, 206, 225&lt;br/&gt;land of, VIII, 17, 64, 69, 137, 143, 182, 184, 193-95, 199, 228, 231, 235, 237&lt;br/&gt;literary image of, 16, 229&lt;br/&gt;memory of, 195&lt;br/&gt;names for, 133, 205&lt;br/&gt;nation of, 53&lt;br/&gt;revolt of 1936, 57, 184&lt;br/&gt;space of, 209&lt;br/&gt;Palestine: Painful Memories (Salih), 180&lt;br/&gt;Palestinian resistance movement, 115, 127, 211, 214&lt;br/&gt;Palmach, 134&lt;br/&gt;parabole, 80&lt;br/&gt;paratext, 117&lt;br/&gt;Passage to Dusk (al-Daif), 22, 83, 88-92&lt;br/&gt;peasant, Palestinian, 184&lt;br/&gt;Persian Gulf, VII&lt;br/&gt;PFLP (Popular Front for the Liberation of Palestine), 211&lt;br/&gt;pharmak&#xF4;n, 46&lt;br/&gt;Pictures of the Past (Sharabi), 179, 182, 188, 191&lt;br/&gt;place, 83, 181, 199-201, 205, 208&lt;br/&gt;Plato, 35&lt;br/&gt;PLO (Palestine Liberation Organization), 192, 223, 231, 237, 238&lt;br/&gt;plot, 21-24, 92&lt;br/&gt;poetry&lt;br/&gt;Arabic, 233&lt;br/&gt;Palestinian, 192, 204, 206&lt;br/&gt;point of view, 18, 19, 37, 38. See also focalization&lt;br/&gt;poststructuralism, 23&lt;br/&gt;Potok, Rena, 219, 220&lt;br/&gt;progress, 13, 17&lt;br/&gt;prolepsis, 121&lt;br/&gt;Qaatami, Samir, 15&lt;br/&gt;Qleibo, &#x2BF;Ali, 227, 233&lt;br/&gt;racism, 45&lt;br/&gt;al-Rahib, Hani&lt;br/&gt;Al-Tilal (Les Tells), 76&lt;br/&gt;realism, 22-23, 103. See also novel:realism&lt;br/&gt;r&#xE9;alit&#xE9; ext&#xE9;rieure, 67, 68&lt;br/&gt;Realities of a Palestinian Childhood (Rimawi), 180, 182&lt;br/&gt;r&#xE9;cit, fragment&#xE9;, 165&lt;br/&gt;refugee camp, 179, 184, 185, 195, 224, 225, 232, 237&lt;br/&gt;refugees, Palestinian, 189, 190&lt;br/&gt;representation, 17, 23, 27, 36, 61, 92&lt;br/&gt;and reality, 11, 19&lt;br/&gt;Rimawi, Muhammad, 179, 180, 183, 184, 186, 189, 191&lt;br/&gt;Waqa&#x2BE;e&#x2BF; Tufula Filistiniyya (Realities of a Palestinian Childhood), 180, 182&lt;br/&gt;roman, syrien, 68, 81&lt;br/&gt;Rooke, Tetz, 178&lt;br/&gt;Russia, 19&lt;br/&gt;Sa&#x2BF;ada, Antoun, 184&lt;br/&gt;Al-Safina (Djabra), 172&lt;br/&gt;Al-Safir, 211&lt;br/&gt;Said, Edward, 179-84, 187, 188, 193-95, 212, 214, 215, 218, 226, 235, 236&lt;br/&gt;Culture and Imperialism, 11&lt;br/&gt;Orientalism, 11, 193&lt;br/&gt;Out of Place, 180, 186&lt;br/&gt;The Politics of Dispossession, 231&lt;br/&gt;Sakakini, Hala, 231, 234, 236&lt;br/&gt;Salah al-Din, 213&lt;br/&gt;Salah, Yusra, 226&lt;br/&gt;Saleh, Tayeb, 217&lt;br/&gt;Mawsim al-Hijra ila al-Shamal (Seasons of Migration to the North), 217&lt;br/&gt;Salih, Husni, 179-80, 184, 186, 191, 193&lt;br/&gt;Filistin: Dhikrayat Mu&#x2BE; lima (Palestine: Painful Memories), 180&lt;br/&gt;al-Samman, Ghada, 68&lt;br/&gt;Al-Qamar al-Murabba&#x2BF; (The Square Moon), 217&lt;br/&gt;Bayrut 75 (Beyrouth 75), 70&lt;br/&gt;Saraya fille de l&#x2019;ogre (Habibi), 150, 155, 164&lt;br/&gt;Sartre, Jean-Paul, 211&lt;br/&gt;Sarup, Madan, 212&lt;br/&gt;Sayigh, Rosemary, 177, 179, 231&lt;br/&gt;Scheherezad, 62&lt;br/&gt;sectarianism, 16, 21, 22, 26, 83, 85, 90, 92, 101, 108, 109, 112&lt;br/&gt;Seferis, George, 37&lt;br/&gt;Seidel, Michael, 213&lt;br/&gt;Shahid, Serene Husseini, 179-84, 188, 189, 191&lt;br/&gt;Jerusalem Memories, 180&lt;br/&gt;Shaked, Gershon, 18, 136, 137, 141&lt;br/&gt;Shamir, Moshe, 134&lt;br/&gt;Shammas, Anton, 51-64, 220&lt;br/&gt;Arabeskot (Arabesques), 51-64, 220&lt;br/&gt;Sharabi, Hisham, 179, 182, 184, 186-88, 191, 193-95, 224, 229, 230, 233, 234&lt;br/&gt;Al-Jamr wa-al-Ramad (Ambers and Ashes), 179, 188&lt;br/&gt;Suwar al-Madi (Pictures of the Past), 179, 182, 188, 191&lt;br/&gt;al-Shaykh, Hanan, 83, 88, 96 &lt;br/&gt;Hikayat Zahra (The Story of Zahra), 83, 84, 88, 92-96&lt;br/&gt;Shehadeh, Raja, 229, 232, 236&lt;br/&gt;Sh&#xE9;h&#xE9;razade, 80&lt;br/&gt;Siddiq, Mohammad, 13&lt;br/&gt;Silberstein, Laurence, 133&lt;br/&gt;Slyomovics, Susan, 177, 182&lt;br/&gt;Smilansky, Moshe, 63&lt;br/&gt;Snir, Reoven, 56&lt;br/&gt;social reality, 18, 22, 23&lt;br/&gt;socialism, 45, 121, 134, 238&lt;br/&gt;Soja, Edward, 24, 83&lt;br/&gt;Soul in Exile (Turki), 179&lt;br/&gt;Soviet Union, 115&lt;br/&gt;space, 24, 103&lt;br/&gt;and crisis, 41, 108&lt;br/&gt;and description, 47, 103, 104, 138-41, 182, 185, 208&lt;br/&gt;and identity, 199&lt;br/&gt;and ideology, 83, 103, 111, 112, 213, 215, 220&lt;br/&gt;and language, 52-53, 58, 60, 64, 214, 219&lt;br/&gt;and memory, VII, 37, 181, 201&lt;br/&gt;and narrative, 24, 41, 102-04, 181, 199, 224&lt;br/&gt;and perception, 40, 199&lt;br/&gt;and time, 41, 137, 199, 202, 204, 208, 234&lt;br/&gt;diasporic, 181, 186, 190, 196, 201&lt;br/&gt;domestic, 25, 84-97, 109&lt;br/&gt;exterior, 83-87, 95, 96&lt;br/&gt;gendered, 84, 87, 109, 112&lt;br/&gt;interior, 83-92&lt;br/&gt;liminal, 42, 220&lt;br/&gt;mythic, 35, 41, 46, 224&lt;br/&gt;psychological, 201, 205, 209, 214, 219, 220&lt;br/&gt;social, VIII, 24, 27, 102, 107, 183, 212&lt;br/&gt;symbolic, 85-86, 91&lt;br/&gt;urban, 35, 37, 41, 229, 230&lt;br/&gt;Spurr, David, 11&lt;br/&gt;Stanford Friedman, Susan, 24&lt;br/&gt;subjectivity, 21, 23, 24, 84, 88, 103&lt;br/&gt;gendered, 97&lt;br/&gt;Sudan, 225&lt;br/&gt;Sweden, 180&lt;br/&gt;Swedenburg, Ted, 177, 184&lt;br/&gt;symbol, 37, 38, 41-45, 110, 123, 135, 185, 187, 204, 221&lt;br/&gt;symbole, 81, 148-53, 157, 167, 168, 169&lt;br/&gt;arbre, 148, 151&lt;br/&gt;symbolism, 43, 45, 183, 185, 190, 206&lt;br/&gt;political, 18, 44, 45, 195, 207, 227&lt;br/&gt;symbolisme, 151-57&lt;br/&gt;politique, 148, 150&lt;br/&gt;synecdoche, 101&lt;br/&gt;syntax, 135, 138&lt;br/&gt;Syria, 27, 52, 180, 186, 211, 213, 214, 215&lt;br/&gt;Greater, 182, 231&lt;br/&gt;Syrian Nationalist Party, 184&lt;br/&gt;terror, 51, 54, 59, 110&lt;br/&gt;The Alexandria Quartet (Durrell), 37, 41&lt;br/&gt;The Bloody Morning in Eden (Nana), 211&lt;br/&gt;The Cairo Trilogy (Mahfouz), 43&lt;br/&gt;The Disinherited (Turki), 179&lt;br/&gt;The Homeland (Nana), 211-21&lt;br/&gt;The House of Mathilde (Daoud), 22, 85, 101&lt;br/&gt;The Journey of Little Gandhi (Khoury), 83&lt;br/&gt;The Other Side of the Coin (Mufid), 180&lt;br/&gt;The Politics of Dispossession (Said), 231&lt;br/&gt;The Shade Dwellers (al-Daif), 85, 86, 88, 93&lt;br/&gt;The Shadow and the Echo (al-&#x2BE;Ashkar), 85, 87&lt;br/&gt;The Stone of Laughter (Barakat), 22, 84, 86, 87, 89&lt;br/&gt;The Story of Zahra (al-Shaykh), 83, 84, 89, 93&lt;br/&gt;The Waste Land (Eliot), 37&lt;br/&gt;Tibawi, Abdul Latif, 232&lt;br/&gt;time, 83, 136, 142&lt;br/&gt;"masculine", 83&lt;br/&gt;and exile, 201&lt;br/&gt;and memory, 181&lt;br/&gt;and myth, 39&lt;br/&gt;and narrative, 24, 35, 41, 46, 103, 121, 122&lt;br/&gt;Messianic, 136&lt;br/&gt;of representation, 135&lt;br/&gt;representation of, 102, 135, 136, 142&lt;br/&gt;Tomiche, Nada, 173&lt;br/&gt;topos, 11, 35, 38, 69&lt;br/&gt;city, 123&lt;br/&gt;Tsirkas, Stratis&lt;br/&gt;Drifting Cities, 37&lt;br/&gt;Tueni, Ghassan, 101&lt;br/&gt;Turkey, VII&lt;br/&gt;Turki, Fawaz, 179, 184-95, 224, 225, 231-38&lt;br/&gt;Exile&#x2019;s Return, 179, 191-93&lt;br/&gt;Soul in Exile, 179&lt;br/&gt;The Disinherited, 179&lt;br/&gt;typology, 136&lt;br/&gt;Umm Kulthum, 39, 41, 46&lt;br/&gt;Umm Sa&#x2BF;d (Kanafani), 146-52, 156&lt;br/&gt;Ungaretti, Guiseppe, 35, 37&lt;br/&gt;United States, 17, 179, 182, 191, 224, 233, 237&lt;br/&gt;University of Cairo, 200&lt;br/&gt;Ussayran, Layla&lt;br/&gt;Ta&#x2BE;er Min al-Qamar (Bird from the Moon), 85&lt;br/&gt;utopie, 75&lt;br/&gt;Van Leeuwen, Richard, 104&lt;br/&gt;Vial, Charles, 68&lt;br/&gt;ville, 69, 76&lt;br/&gt;lieu de fracture, 72, 76, 81&lt;br/&gt;lumi&#xE8;re, 69&lt;br/&gt;royaume du plaisir, 72&lt;br/&gt;violence, 22, 26, 70, 72, 74, 75, 83, 88, 89, 91, 93, 109, 164, 169&lt;br/&gt;and language, 54&lt;br/&gt;domestic, 93&lt;br/&gt;ethnic-sectarian, 21, 53, 101, 112, 161, 172&lt;br/&gt;political, 147, 148, 209&lt;br/&gt;representation of, 173&lt;br/&gt;war, 86, 101&lt;br/&gt;Lebanese Civil, VII, 15, 21-23, 83, 97, 101, 115, 121&lt;br/&gt;of 1948, 14, 57, 61, 115, 133, 136, 148, 154, 159, 161, 177-86, 232&lt;br/&gt;of 1956, 43, 122&lt;br/&gt;of 1967, 14, 22, 42, 47, 52, 62, 162, 167, 189, 215, 223, 226, 227&lt;br/&gt;of 1973, 115&lt;br/&gt;ongoing, 26&lt;br/&gt;World War I, 17, 122, 125, 231&lt;br/&gt;Watad, Muhammad, 54&lt;br/&gt;West, the, 40, 212, 221&lt;br/&gt;White, Hayden, 23&lt;br/&gt;Who Dares to Desire (Nana), 211&lt;br/&gt;Yehoshua, A.B., 20, 51, 60, 63&lt;br/&gt;yidi&#x2BE;at ha-arets (knowing the land), 133, 134, 138, 139&lt;br/&gt;Yizhar, S., 63, 133-43&lt;br/&gt;"Ha-Shavui" (The Prisoner), 63, 137-41, 142-43&lt;br/&gt;"Shayarah Shel Chatsot" (Midnight Convoy), 141-43&lt;br/&gt;"The Story of Chirbat Chiz&#x2BE;ah", 63, 140, 141-43&lt;br/&gt;Efrayim Chozer la-Aspeset (Ephrayim Returns to the Alfalfa), 134-37&lt;br/&gt;Yeme Tsiklag (Days of Ziklag), 136, 141&lt;br/&gt;Yunis, Iman Hmeidan&lt;br/&gt;Ba&#x2BE; Mythil Bayt Mythil Bayrut (B for a House Named Beirut), 84&lt;br/&gt;Yusuf Bey Karam, 125&lt;br/&gt;Zaghlul, Sa&#x2BF;d, 41, 43, 44&lt;br/&gt;Zahran, Yasmin, 232&lt;br/&gt;Zanarini, Gaston, 36&lt;br/&gt;Zerubavel, Yael, 14, 18, 19, 136&lt;br/&gt;Zionism, 17, 22, 53, 55, 133, 136, 137, 138, 143, 225&lt;br/&gt;post, 20&lt;br/&gt; &lt;br/&gt;&lt;br/&gt;</Text>
    </OtherText>
    <OtherText>
      <TextTypeCode>01</TextTypeCode>
      <TextFormat>02</TextFormat>
      <Text language="eng">This volume explores the literary representation of social and political crises that have punctuated the second half of the 20th century in the Middle East. From the creation of the state of Israel and its continuing aftermath, to the Suez crisis, to the expulsion of the PLO from Jordan, to the Lebanese Civil War, literature &#x201C;has been there&#x201D; but seldom has it been considered a useful lens for understanding the causes and perpetuation of these crises. This collection of essays aims to show how literature can illuminate crises of ethnicity, gender, class, religion, and nation. While the contributors hail from several countries and display a variety of critical approaches, they all focus on the representation of space in narrative.&lt;br/&gt;</Text>
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    <OtherText>
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      <Text language="ger">Diese Reihe stellt innovative Arbeiten zu den nah&#xF6;stlichen Literaturen in ihren verschiedenen Epochen und Gattungen vor. Sie versteht sich nicht ausschlie&#xDF;lich als ein Forum f&#xFC;r Orientwissenschaftler, sondern m&#xF6;chte auch Komparatisten, Literaturwissenschaftlern und einer interessierten &#xD6;ffentlichkeit Einblicke in das breite Spektrum gegenw&#xE4;rtig produzierter und rezipierter Literatur des Nahen Ostens bieten. &lt;br/&gt;Denn die Herausgeberinnen, Autorinnen und Autoren wollen den Titel der Reihe programmatisch verstanden wissen. Sie gehen von einem Begriff der Weltliteratur aus, der die orientalischen Literaturen nicht nur statisch einbegreift, sondern sie in ein Kulturregionen und Nationalsprachen &#xFC;bergreifendes Spannungsfeld stellt, dessen Dynamik erst im interdisziplin&#xE4;ren Austausch erfasst werden kann. Sie gehen ferner davon aus, dass Literaturen in vielfacher Weise intertextuell gepr&#xE4;gt sind, dass sie Lekt&#xFC;ren verschiedenster vorausgehender Texte darstellen und daher erst in ihrem &#x201E;lokalen historischen Kontext&#x201C; ihren Reiz als Ausdruck einer regional gepr&#xE4;gten &#xC4;sthetik entfalten k&#xF6;nnen. Die Reihe versucht so, einer neuen Sensibilit&#xE4;t f&#xFC;r mythische, archetypische, aber auch historische Subtexte in der nah&#xF6;stlichen Literatur Bahn zu brechen, sie aber gleichzeitig als wichtigen Ausdruck einer globalen kulturellen Mobilit&#xE4;t sichtbar zu machen.</Text>
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      <Text language="eng">Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included &#x201C;global&#x201D; Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their &#x201C;local historical context&#x201D;, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.





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&lt;h2&gt;&lt;a href="/media/Prospekte/Litkon_2014.pdf"&gt;Katalog als PDF&lt;/a&gt;&lt;/h2&gt;</Text>
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