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      <TitleText>The Maq&#x101;m&#x101;t of Bad&#x12B;&#x2BF; al-Zam&#x101;n al-Hamadh&#x101;n&#x12B;</TitleText>
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      <Text language="eng">Through investigations of manuscripts, this book explores important aspects of the life of Bad&#xEE;&#x2BF; al-Zam&#xE2;n al-Hamadh&#xE2;n&#xEE;&#x2019;s Maq&#xE2;m&#xE2;t. The broad concerns of the book are divided into three sections: authorship, texts, and contexts. Each chapter in this volume investigates hitherto unstudied textual materials related to al-Hamadh&#xE2;n&#xEE;&#x2019;s Maq&#xE2;m&#xE2;t that adds to our understanding of the text, its history, and the literary culture that created it.&lt;br/&gt;</Text>
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      <Text language="eng">Through investigations of the manuscripts, this book explores important aspects of the life of Bad&#x12B;&#x2BF; al-Zam&#x101;n al-Hamadh&#x101;n&#x12B;&#x2019;s maq&#x101;m&#x101;t. Relying solely on the flawed nineteenth century editions not only compromises the results of modern scholars&#x2019; investigations of al-Hamadha&#x304;ni&#x304;&#x2019;s text, but also prevents us from appreciating the literary culture that created this work. The broad concerns of the book are divided into three sections: authorship, texts, and contexts, although there are some overlaps across these fields. One constant is that each chapter in this volume investigates hitherto unstudied textual materials related to al-Hamadh&#x101;n&#x12B;&#x2019;s Maq&#x101;m&#x101;t.&lt;br/&gt;Part 1, Authorship, of the book begins with two studies related to al-Hamadh&#x101;n&#x12B;&#x2019;s authorship. It reviews several theories about al-Hamadh&#x101;n&#x12B;&#x2019;s reliance on earlier forms in the creation of the maq&#x101;ma, and provide an edited fragment of a lost work by the well-known grammarian Ibn F&#x101;ris (d. 395/1005). It also describes the way that al-Hamadh&#x101;n&#x12B;&#x2019;s individual maq&#x101;mas came to be included in manuscript collections in the years following his death. &lt;br/&gt;&lt;br/&gt;Part 2, Texts, presents the editions of four maq&#x101;mas attributed to al-Hamadh&#x101;n&#x12B; in the manuscript tradition, that were not included in Mu&#x1E25;ammad &#x2BF;Abduh&#x2019;s printing: the &#x1E6C;ibbiyya, Shar&#x12B;fiyya, Hamadh&#x101;niyya, Kh&#x101;tamiyya, along with a discussion and analysis of their contents in relation to the extant corpus of al-Hamadh&#x101;n&#x12B;&#x2019;s maq&#x101;m&#x101;t. &lt;br/&gt;&lt;br/&gt;Part 3, Contexts, provides studies and translations of key maq&#x101;mas of al-Hamadh&#x101;n&#x12B;. &#x201C;Adab and Metamorphosis: The Maw&#x1E63;iliyya&#x201D; is an edition, translation, and modern commentary on this maq&#x101;ma in which Ab&#x16B; l-Fat&#x1E25; famously attempts to raise a dead man from the grave. This commentary identifies sources from which al-Hamadh&#x101;n&#x12B; may have drawn, affording modern readers further context with which to explore this tale. &#x201C;What the Qadi Should not Hear: The Sh&#x101;miyya&#x201D; provides the first scholarly edition of this maq&#x101;ma, which &#x2BF;Abduh excised from the 1889 Beirut printing. The study explores how this maq&#x101;ma draws upon ideas about the limits of proper and improper speech. The last chapter offers a study and edition of a hitherto unknown commentary on the Maq&#x101;m&#x101;t of al-Hamadh&#x101;n&#x12B; that the authors argue may be an example of auto-commentary. The proposed interpretation has profound implications for how the Maq&#x101;m&#x101;t of al-Hamadh&#x101;n&#x12B; were understood by the first generations of readers, including the writers of maq&#x101;mas who followed him. </Text>
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      <Text language="eng">This book explores important dimensions of the life of Bad&#x12B;&#x2BF; al-Zam&#x101;n al-Hamadh&#x101;n&#x12B;&#x2019;s Maq&#x101;m&#x101;t. The broad concerns of the book are divided into three parts (authorship, texts, and contexts) each consisting of individual chapters. Part One, &#x201C;Authorship,&#x201D; begins with two chapter-length studies related to al-Hamadh&#x101;n&#x12B;&#x2019;s creative role as an author. Part Two, entitled, &#x201C;Texts,&#x201D; presents the editions of four maq&#x101;mas attributed to al-Hamadh&#x101;n&#x12B; in the manuscript tradition, that were not included in Mu&#x1E25;ammad &#x2BF;Abduh&#x2019;s Beirut edition of 1889. Part Three, &#x201C;Contexts,&#x201D; offers several studies and translations of key maq&#x101;mas of al-Hamadh&#x101;n&#x12B;. &#x201C;Adab and Metamorphosis: The Maw&#x1E63;iliyya&#x201D; is an edition, translation, and modern commentary on this maq&#x101;ma in which Ab&#x16B; l-Fat&#x1E25; famously attempts to raise a dead man from the grave. &#x201C;What the Qadi Should not Hear: The Sh&#x101;miyya&#x201D; provides the first scholarly edition of this maq&#x101;ma, which &#x2BF;Abduh excised from his edition. The study explores how this maq&#x101;ma draws upon ideas about the limits of proper and improper speech. The last chapter provides a study and edition of a hitherto unknown commentary on the Maq&#x101;m&#x101;t of al-Hamadh&#x101;n&#x12B; that the authors argue may have been composed by Hamadh&#x101;n&#x12B; himself. </Text>
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      <Text language="eng">Bilal Orfali, Ph.D. (2009), Yale University, is Sheikh Zayed Chair for Arabic and Islamic Studies at the American University of Beirut. He specializes in Arabic literature, Sufism, and Qur&#x2BE;&#x101;nic Studies. Orfali is the author and editor of more than twenty books in the field of Arabic Studies. His recent publications include: Approaches to the Study of Pre-modern Arabic Anthologies (Brill, 2021), Light Upon Light (Brill, 2019), Insatiable Appetite:&#xA0;Food&#xA0;as&#xA0;Cultural Signifier&#xA0;in the Middle East and Beyond (Brill, 2019), The Anthologist&#x2019;s Art (Brill, 2016), The Book of Noble Character (Brill, 2015), The Comfort of the Mystics (Brill, 2013), Sufism, Black and White (Brill, 2012), and In the Shadow of Arabic (Brill, 2011).&lt;br/&gt;&lt;br/&gt;Maurice Pomerantz, PhD. (2010), University of Chicago, is a scholar of Arabic literature of the pre-modern period at New York University Abu Dhabi. His interests include Arabic belles-lettres poetry and prose.&#xA0; His is the author of Licit Magic: The Life and Letters of al-&#x1E62;&#x101;&#x1E25;ib b. &#x2BF;Abb&#x101;d (d. 385/995) (Brill, 2018) and the co-editor of The Heritage of Arabo-Islamic Learning&#xA0;(Brill, 2016), and In the Presence of Power:&#xA0;Court and Performance&#xA0;in the Pre-modern Middle East (New York University Press, 2017).&lt;br/&gt;</Text>
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      <Text language="ger">Diese Reihe stellt innovative Arbeiten zu den nah&#xF6;stlichen Literaturen in ihren verschiedenen Epochen und Gattungen vor. Sie versteht sich nicht ausschlie&#xDF;lich als ein Forum f&#xFC;r Orientwissenschaftler, sondern m&#xF6;chte auch Komparatisten, Literaturwissenschaftlern und einer interessierten &#xD6;ffentlichkeit Einblicke in das breite Spektrum gegenw&#xE4;rtig produzierter und rezipierter Literatur des Nahen Ostens bieten. &lt;br/&gt;Denn die Herausgeberinnen, Autorinnen und Autoren wollen den Titel der Reihe programmatisch verstanden wissen. Sie gehen von einem Begriff der Weltliteratur aus, der die orientalischen Literaturen nicht nur statisch einbegreift, sondern sie in ein Kulturregionen und Nationalsprachen &#xFC;bergreifendes Spannungsfeld stellt, dessen Dynamik erst im interdisziplin&#xE4;ren Austausch erfasst werden kann. Sie gehen ferner davon aus, dass Literaturen in vielfacher Weise intertextuell gepr&#xE4;gt sind, dass sie Lekt&#xFC;ren verschiedenster vorausgehender Texte darstellen und daher erst in ihrem &#x201E;lokalen historischen Kontext&#x201C; ihren Reiz als Ausdruck einer regional gepr&#xE4;gten &#xC4;sthetik entfalten k&#xF6;nnen. Die Reihe versucht so, einer neuen Sensibilit&#xE4;t f&#xFC;r mythische, archetypische, aber auch historische Subtexte in der nah&#xF6;stlichen Literatur Bahn zu brechen, sie aber gleichzeitig als wichtigen Ausdruck einer globalen kulturellen Mobilit&#xE4;t sichtbar zu machen.</Text>
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      <Text language="eng">Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included &#x201C;global&#x201D; Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their &#x201C;local historical context&#x201D;, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.





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&lt;h2&gt;&lt;a href="/media/Prospekte/Litkon_2014.pdf"&gt;Katalog als PDF&lt;/a&gt;&lt;/h2&gt;</Text>
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