In elemental music and dance education and other music education subjects, in addition to individual musical and movement-related possibilities, communicative and relationship-oriented skills play a key role in the design of artistic-pedagogical teaching-learning processes. A precise assessment of the ability and quality of relationship and the subsequent reflection on the teaching situation, which is made possible by the “AQR-P Tool” observation and assessment procedure presented here, can support an adequate adaptation of the teacher's actions to the needs of the learners.
By knowing the currently existing relationship mode and the “pedagogical relationship quality” to be adapted to it, the teacher can design tasks and activities in such a way that the learners can make optimal use of these activities.

Volume 2 offers extended materials on the areas of inclusion and inclusive didactics with a focus on elemental music and dance education as well as the importance of the topic of relationships in educational contexts. The research process is then presented in detail and the research questions answered on the basis of the results. A summary and comparison of the existing variants of the AQR Tool concludes the research-relevant section.

Erik Esterbauer researches and teaches as an Associate Professor at the Department of Elemental Music and Dance Pedagogy - Orff Institute at the Mozarteum University Salzburg with a focus on inclusion and diversity. He studied psychology at the Universities of Salzburg and Vienna, composition at the Conservatory of the City of Vienna and elemental music and movement pedagogy at the Orff Institute of the Mozarteum University Salzburg. After further specialist training, he worked for 20 years in the field of child, youth and family psychology as well as in psychosocial rehabilitation.
He habilitated with the present observation method for assessing the quality of relationship in inclusive music and dance lessons. His teaching and research activities focus on processes of inclusion and diversity in the field of music and dance and other artistic disciplines as well as additional areas such as psychology, transdisciplinarity and new music.